The pearls that Queen Elizabeth I wears in her hair are similar to the placement to the white shell or flower like hair decor that Satine wears. The collar is also similar, the large collar that extends over and around her face and head as well as extending over the top head and onto the for head. Satine’s entire aesthetic is recalls Queen Elizabeth I in many ways.
Queen Amidala, and other queens of Naboo, have some very recognizable makeup, this post is about Queen Amidala’s makeup, which, while having similar makeup, other Queen’s of Neboo have slightly different makeup and will not be featured in this Amidala specific post.
These are good videos the show the application technique for the Queen Amidala makeup.
(Note: That the makeup technique for applying is helpful, however, it it not movie accurate.)
(Note: These may also help with the application of makeup for other Queens from Naboo, however, other Queens of Naboo’s royal makeup is not the same as Amidala’s even though it is similar so there will be some differences.)
Makeup Application To Avoid For Movie Accurate Makeup:
Eye Shadow (of any kind, other then white for setting powder)
Tight Lining Or Lining The Water Line
Colors Other Then White For The Setting Powder
(Note: using setting powder other then true no color or if you can’t get that white will change the color of the cream base)
Forgetting To Use Red Setting Powder For The Lips And Dots, which can result in smearing
Colors Other Than White For The Base
(Note: the makeup used in the movie was a porciline white, it is a warmer softer white not as harsh as clown white.)
(When its suggest that colors other then white should not be used, this means that even the lightest shade of regular foundation is not going to be light enough for Queen Amidala’s face base makeup, the makeup used in the film was a specific movie foundation.)
Queen Amidala’s Royal Naboo Makeup, though similar to other queens of Naboo, is unique to her. This is a breakdown of the approximation of Amidala’s makeup placement and techniques. We will be looking at both Padme and Sabe wearing the makeup because Sabe is wearing the Amidala makeup as her decoy. Colors and brands will be covered more in part – 2 of this post.
Queen Amidala’s white face makeup is cream makeup base from RCMA. This was made special for the Star Wars movies by the company. An important note about this makeup is that though it is called Porcelain, other makeup’s with that name are not the same shade. In this case it means that it is a specific shade of white with a warm under tone to it which was special made for the Star Wars’s movies. The white base covers the entire face and is lightly applied over the ears and down the neck. Note that the white base is blended more with the skin on the ears and neck so make a less harsh white color.
Eyes & Eyebrows:
the royal Amidala makeup has a eyeliner and masquara as well, both are applied lightly, the liner applied above and blew the lashes, not at all on the water lines. The liner is also slightly smudgy so it is not a harsh line.
The eyebrows are filled in too lightly, the brow is filled in naturally, not over drawn, but simply to make a darker more dramatic line.
The image of Amidala in the makeup chair is very nice because it shows not only the application of the brow liner, but also shows the lid clearly, though this is in the middle of the makeup so we cannot know for sure, it is a good bet that only setting powder is applied to the lids, no real color. We do think that maybe it’s a white or pearl white possibly, however, a no color setting powder would also do very well.
The cheek dots are the same color as the lips, which in this case is Nars Fire Down Red.
Looking at the placement of the cheek dots we can see that the center of the dots lines up roughly under the outer edge of the iris ring.
The outer edge of the cheek dots line up roughly with the outer corner of the eye.
The cheek dots center are roughly in line with the tip of Padme’s nose, as you can see in the images below for both Padme and Sabe the lines below and above the dots are more or less in line with the tip of their noses.
The lips are the same color as the cheek dots, the top lip in filled in naturally with no over drawing. the bottom lip is filled in white with the face base with a small rectangle of the red lip color in the center of the lip. This lower stripe of lip color is squared at the bottom, though some pictures show a slightly more pointed angle to it bottom lip, the majority of the images show it to be square. This lower lip stripe is also roughly the width of the philtrum.
The Lake dress that Padme wears in Attack of the Clones is one of light flowing material, notably the beauty of the multi color ombre dyeing makes the gown even more stunning. Though like most of the posts in this series there is no proof that this gown was influential in the designing of Padme’s lake Dress, however, the pink and yellow light fabric seems to share a similar aesthetic.
The Valantino Gown is a vintage gown which we have not been able to find much on, however, it dose share similarities in fabric and color, light fabric has a flouting quality in both dresses. the gradient pink and yellow also are shared, however, the order is in reversed, Padme’s dress has yellow on top and pink on the bottom fading into other colors.
Mock-Fortuny pleating is featured in several Star Wars Costumes, all of them from Naboo. It seems to be a Naboo easthetic in the Galaxy Far Far Away. Unfortunately Fortuny Pleating is a lost wonder of the fashion world, in a nutshell the means to create the pleating died with Mariano Fortuny the man who invented it and as of yet has not fully been recovered. The Padawan’s Guide has already touched on the similarities between many of the Naboo clothing and Fortuny Pleating.
The Fortuny Dresses are sometimes refereed to as The Delphos Gown, and where very created to be a house dress and later a tea gown worn by wealthy woman at the turn of the 19th’s century. The wonderful thing about these original gowns is that they must be twisted into a small ball for storage, which means they take up very little room.
In Star Wars, Padme and her Handmaidens wear gowns with a similar pleating. Though it is not stated anywhere we have found yet that this was that the Delphos Gowns where an influence on the Naboo aesthetic, the light silks and unique pleating of the gowns makes a good case that they where.
Star Wars has many known and unknown inspirations and influences, this series will be focusing on similarities, possible influences and possible inspiration that helped shape the look of the Galaxy. Silhouettes, fabrics, and color palette among many, many other factors will all be looked at and explored.
Though there is no evidence we have come across to support this as fact, nevertheless, it is undeniable that Padme’s Green Velvet Gown that she wears in Revenge of the Sith shares many similarities to the The Arnolfini Portrait. Because of of these similarities we are looking at the possibility of this painting being the partial inspiration for the esthetic of Padme Green Velvet Robe.
The similarities between the gowns can be seen in
the color, dark greens,
the weight of the fabric, the paintings is a heavy wool and Padme’s is a heavy velvet.
special linings, the Portraits is fur, Padme’s is patterned and purple
purple belts, though it is a little harder to tell if the paintings belt is purple for sure, never the less the belt placement is the same
a hood (Padme) and hood silhouette to the veil (Mrs. Arnolfini).
Special decorations on the sleeves,
long flowing gown that comes out from under the bust.
According to A Stitch In Time Episode 2, for a very long time people believed that the woman in the Arnolfini Portrait was pregnant. Though this is not the case, it is very easy to see why that would be assumed, she dose look pregnant, without a particular knowledge of the fashion and time period it is essay to assume. The woman in the painting has a silhouette that is similar to Padme’s, who is pregnant.
This is one of the few garments that we think is a spastic influence on a spastic dress instead of simply sharing a more common aesthetic.
Padmé’s Meadow Picnic Dress from [Star Wars: Episode II: Attack of the Clones,] has a complicated underskirt to figure out. Photo’s from The Padawan’s Guide suggests that the underskirt is a multi colored pastel skirt of sheer fabric.
(AOTC: Padmé: Meadow Picnic Underskirt Colors) (Image from Padawan’s Guide, Exhibit Photos, Breakdown Photos) (Left Image adjusted to show the colors brighter, Right Image original)
The three distinct colors that can for sure be seen in the above photo are pale pink, pale yellow, and pale green. These are similar to the colors that appear in the ribbons on the sleeves of the dress, so it’s possible that the same colors that appear in the ribbons also appear in the underskirt.
A close examination of photos from the movie and promo stills from The Padawan’s Guide, shows that there are visible colors underneath the gold/yellow over-skirt. The photo below shows a distinctive pink color to the underskirt.
The photo below shows the underskirt as having both pink and yellow in it distinctively.
The ribbons appear to be light green, pale green, pale pink, pale yellow and pale cream-yellow all in pastel colors.
One fan made costume took what appears to be the approach of making the underskirt with pastel colors fading into one another stripped diagonally across the skirt. (Note: that in the second photo below, with the over-skirt down, the fan made costume looks very slimier to the photos of the actual meadow picnic dress. With fain colors showing through the gold/yellow over-skirt.)
It appears that the direction of the pastel colors of the underskirts run more or less vertically.
(Note: The Padawan’s Guide says that “the skirt is only two layers “ of fabric. However, there is so much fabric that it may look like there are more layers then there actually are.)
The Dressing the Galaxy book, says that something like 50 yards of fabric where used in the making of the over-skirt. There is some debate on whether 50 yards could actually have been used. However, as it is a very tightly pleated skirt made out of very thin sheer fabric, 50 yards is not unrealistic, for this skirt. whether using 50 or 10 yards of fabric the underskirt should have the same volume as the over-skirt, a lot of fabric will be needed, in either case.
Leia’s Hoth crown braid has no part, the hair is brushed back from the front of the face.
The back of Leia’s Hoth drown braid has no part, this is the tricky part, but there is no back parting to the hair, this is likely because the braids are a hair piece that is pinned on and not an actually crown braid. More on this later.
Leia’s Hoth crown braid has a side curl in-front of the ears where the side burns are, these are small and not very thick, they also do not go lower then the jaw line generally.
Leia’s Hoth crown braids are actually two braids, or if you like, one very, very long braid that goes over the top of her head. however, when the braid is wrapped around her head it forms two rows of braids. On the back of Leia’s head the two rows are very clear and separate. See pink and green marking them. Over the top of Leia’s head the narrower part of the braids are crossed over each other to look like one thick braid. Where as the back of Leia’s braids are positioned to look like a double braid.
Hidden Little Bun:
Leia’s real hair is short and appears to be pulled back into a small bun at the base of her neck. This bun is flat and hidden beneath the double row of braids that cross over the back of her head. This is why there is no back part to Leia’s hair, the braids are a hair piece and not a real crown braid so there is no need for there to be a part in the hair.
Leia’s braid is positioned further back on her head and behind the ears, notice the soft C shape that the braids back curving over the back of her head.
These behind the scene photos show Leia with the braids hanging loose and though it hard to see it dose appears that the braids one long braid that is pinned on the top of her head and wrapped around the sides.
This products is simple to use, the color is a dark mat gold with a metallic gold thread accent. The product is good quality and is what you would expect from a crochet thread, the only con is with a lot of unraveling the gold metallic thread comes away from the base thread.
Affordably ($3.50, roughly)
Easy to use
Color seems accurate to movie
Metallic Thread comes unwound with a lot of unraveling so if you need to restart your project several times this can be an issue.
Using Aunt Lydia’s Crochet Thread in Gold/Gold, is simple and very much like using any other crochet thread. The only complaints that can be maid about using the thread is that if you have to unravel your crochet several time, (3 or more) then the metallic gold thread will start unwinding from the old gold colored crochet thread base. This makes it more difficult to have a nice finished look and the metallic thread can get tangled on the hook and makes it difficult to crochet. However, if you don’t have to unravel your crochet thread, multiple times, it seems to be fine. The crochet thread is affordable and for the purposes of making Padmé’s bun covers only one skein is required. Be advised, while crocheting the thread can get twisted so much that it starts twisting in on itself, however, this seems to be more of a problem with the technique of crocheting instead of a product defect.
Padmé wears this Purple evening gown in Star Wars The Clone Wars, Season 2 Episode 4, Senate Spy. If looking for a very sexual costume from Star Wars without the problematic issues of Slave Leia, then this might be a good choice.
(In summery: Slave Leia is problematic when taken out of it’s story context as a position that Leia is forced into by Jabba. The difference between Padmé and Leia wearing sex-ulized outfits is consent. Padmé elects to wear her revealing clothing Leia does not.)
Because this dress only appears in cartoon form there will have to be some adjusting to translate into the real world. It can be easy to translate cartoons into the real world exactly, however, this often times can looks very cartoonish and if that is not the aim isn’t important to pay attention to the details. Being careful of watching proportions so that translating it into the real world looks good. Also consider that all of these proportions will have to be adjusted for each individual Padmé.
Because it is a cartoon that is specifically designed to look like painted wooded puppet, the fabric Padmé’s dress is made out of is difficult to figure out. The dress seems to be made out of a fairly heavy fabric the way it moves, the dress appears to be made out of a semi shiny fabric, such as a heavy satin. The gown color is a dark dusky purple, there is a light purple color on the front of her dress that makes up the symbols on her gown. (Because its used so widely in Star Wars, silk would be a good fabric to use for this dress, silk often times has a semi shiny look while not being overly lustrous.)
(A possible fabric for making this gown might be Silk Crepe De Chine, as its a light silk fabric with a lot of drape and movement, it was also used in Leia’s Classic Political Gown in A New Hope 🙂 )
Padmé’s purple Clone Wars evening gown has a fishtail skirt, also known as a mermaid skirt. Padmé’s dress also appears to has a narrow ‘A’ line skirt, meaning that the skirt of the dress does not fit tightly around her legs, instead it it snug around the hips and follows an ‘A’ shape down to the hem. (Note: That the ‘A’ line dress, is a more narrow ‘A’ line so it resembles a closer fitting fishtail dress.)
Padmé’s evening gown also has a clear train, the train is noticeable, however, it is not very long. a good estimate would be a little over a foot so many 14″ for the train. this of course depending on each individual Padmé.
Padmé’s skirt is very full, there is a lot of fabric moving when she comes down the stairs, the fishtail part of the skirt which is the widest part of the dress is very full.
Padmé’s dress also goes all the way down to the floor and her shoes cannot be seen when she is standing. The floor length of the dress seems to be just touching the floor in front and a small but significant train in the back.
The bodice of Padmé’s dress has a slight sweetheart neckline, the bodice also does not come up very high on her chest.
The bodice appears to come up to roughly top of the triceps below Padmé’s shoulder,
Padmé’s bodice is open on the side, there is no back to her dress, the bodice comes completely around her breast and onto the side of her ribs (see green line for edge of breast and pink line for edge of dress in picture below).
The bodice of Padmé’s dress is also very structured, from the top down to the bottom of her rib-cage. The bodice hugs closely to her body, until the bottom of her ribs, then the fabrics of her dress becomes somewhat less structured and is looser and has a very slight drape around her lower back and side (see blue arrows for drape of fabric in picture below).
The gaping between Padmé’s dress and her back is more obvious in the picture below, however, note: that the gaping in not very much just enough to tell that the dress is not structured in its lower half.
There is no back too Padmé’s gown, Padmé’s dress comes down very low into a soft round shape. The dress back is lower then Padmé’s natural waist, and appears to show her upper lower back, much like her lake dress from Attack of the Clones. (See blue line for bottom edge of dress, green for waist and red for shape of back of Padmé’s dress.)
The gloves that Padmé wears with her evening gown also double as sleeves, these gloves have a cut out that is the shape of an rectangle with rounded ends. The top of the cut outs on the sleeves falls in line the middle of Padmé’s chest. The bottom of the cut outs on Padmé’s gloves falls roughly in line between the bottom of Padmé’s rib cage, and her natural waist, the cut outs also end several inches above the elbow.
Padmé’s gloves are cut very high, the fabric goes up to her underarm but does not attack to the dress in any way and also does not have a lot of extra fabric there.
The top of Padmé’s glove is a rounded shape that comes up over her shoulders, the sleeves also seem to be structured. Note: that the rounded top of the sleeve that covers Padmé’s shoulder is flush to her body. This indicates a form of structure that also allows glove to stay in place on her arm, (see blue arrow). The lower half that comes around the under Padmé’s arm is not flush with her arm, (see green arrow).
Padmé’s gloves also have a detail on the top rounded part that covers her shoulders, it appears to be cut wide enough to allow for several small folds to occur through the structured part of the glove. almost reminiscent of a very, very slightly puffed sleeve (see link for reference image of puffed sleeve).
Padmé’s hair is styles in a simple three strand braid down from the base of her back and down her back, the braid falls down to middle of Padmé’s back. Her braid is fastened at the end if a apparently metal semi cone shaped decorative fastener.
The Shoes that Padmé wears with her evening gown are the same color of purple as her gown. though it is hard to see it appears that she has a squared/rounded toe to her shoe, in the lower second picture vaguely appears to be middle average in height high heals, or more accurately pumps they appear to have some kind of back to them.
Padmé’s dress has seven symbols on the front of it in descending size and order from her lower abdomen.
Padmé carries a bag with her evening gown, one of the few times she is ever seen with a bag. Her clutch bag is the matched to her dress and is the same purple color with silver accents like her hair fastener.